The Neas Survey of Public Participation in the Arts
WASHINGTON, DC
"The implications from this research are significant," said NEA Chairman Jane Chu. "The findings evidence that there is swell diversity in how people appoint in the arts, and this gives us a framework to use our creativity to innovate new ways to reach these audiences."
"With the cosmos of new data analyses like this 1—which shows how arts and culture contribute to GDP—the Department of Commerce is providing a more detailed picture of what drives the U.S. economic system, growth, and job cosmos," said Secretary of Commerce Penny Pritzker, referring to the Bureau of Economic Analysis satellite account data discussed below in Report 3. "Making new data available is some other example of how the government is working harder and smarter to produce relevant statistics that meliorate inform individuals, businesses, and decision-makers." Report 1: When Going Gets Tough: Barriers and Motivations Affecting Arts Omnipresence In 2012, the National Endowment for the Arts partnered with the Full general Social Survey to ask why people attend arts events (specifically music, trip the light fantastic, theater, and visual arts). This new written report looks beyond demographics to discover the attitudes, motivations, and barriers for attending the arts at different life stages—the outset fourth dimension the NEA has published a report on this type of data. At that place were common barriers for the 13 percent—31 million adults—who were interested in a specific event, merely did not become for some reason: • Most lx percentage of people with children under age six said lack of fourth dimension was the greatest single bulwark to attendance. This finding could inspire arts providers to develop more than family-friendly program options. Motivations include: • Peak reasons Americans attend the arts (performances and exhibits) include socializing with friends or family members (73 percent); learning new things (64 percent); and supporting the community (51 percent). Report ii: A Decade of Arts Appointment: Findings from the Survey of Public Participation in the Arts, 2002-2012 The Survey of Public Participation in the Arts (SPPA) is the largest and most comprehensive survey of U.S. arts participation, with a total sample size exceeding 37,000 adults, ages 18 and over. The latest SPPA compares arts participation rates based on surveys from 2002, 2008, and 2012, as well as regional, state, and metro-area statistics. • A new question in the 2012 survey revealed that adults who attended performing arts or visited museums as children were three to four times equally likely to see shows or visit museums as adults. Exposure to the arts in childhood turns out to exist a stronger predictor of adult arts participation than education, gender, age, or income. Report 3: The Arts and Cultural Product Satellite Account (ACPSA) The ACPSA, a partnership between the NEA and the Department of Commerce's Agency of Economic Assay, is the commencement federal effort to provide an in-depth analysis of the arts and cultural sector'south contributions to current-dollar gross domestic production (GDP), a measure of the last dollar value of all goods and services produced in the United States. The revised estimates reveal the arts are a bigger driver of Gdp and jobs than previously estimated. Among the new estimates are: • In 2012, arts and cultural production contributed more than than $698 billion to the U.Southward. economic system, or iv.32 percent to the U.S. Gross Domestic Production, more than construction ($586.7B) or transportation and warehousing ($464.1B). The underlying data for the SPPA and GSS research reports are available to researchers, policymakers, and arts practitioners via a make-new online resource likewise existence launched today. Through the National Archive of Data on Arts & Culture (NADAC), the NEA provides gratuitous access to the data files and related resource, as well as a user-friendly platform for querying the data. Visit NADAC to learn more. The NEA is the only federal agency to deport periodic analyses of the value and impact of the arts in American life. For nearly 40 years, the NEA Office of Research & Analysis has produced research publications, conferences, and data sources on arts-related topics of involvement to policymakers, educators, journalists, cultural researchers and practitioners, and the general public. Many of these products have emerged in consultation or collaboration with other federal agencies such as the U.S. Census Bureau and the Bureau of Labor Statistics. In recent years, the NEA launched a new enquiry grant opportunity to support research that investigates the value and/or impact of the arts. About the NEA The National Endowment for the Arts was established by Congress in 1965 as an contained agency of the federal government. To date, the NEA has awarded more than than $5 billion to strengthen the creative capacity of our communities past providing all Americans with diverse opportunities for arts participation. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector. To join the discussion on how art works, visit the NEA at arts.gov. # # #
• Some noted that the location was besides hard to get to. This was especially a problem for retirees, older adults, and adults with physical disabilities. If nosotros're quantifying the value of what we often term "admission to the arts," information technology'southward about eleven meg lost audition members or exhibit-goers.
• Twenty-two percent of those who wanted to attend just chose not to said a barrier was not having someone to become with.
• Despite similar household incomes and education, people who call themselves middle-class were more than likely to attend the arts than those who identified themselves as working class. Thwarted interest, rather than lack of interest, may be the cause for lower omnipresence rates among some audiences.
• Life stages—pursuing higher teaching, marriage, kid-rearing, and retirement—are often more predictive than age alone, as a cistron in attending the arts. For example, parents with young children under age six more often cited socializing with family or friends, learning new things and celebrating cultural heritage when they attended performances accompanied by their children.
• For more key findings, go to Arts Data Profile #iv.
• Engineering science is a slap-up enabler of arts creation and participation. In 2012, most iii-quarters of American adults—about 167 million people—used electronic media to view or listen to art, and large proportions of adults used electronic media to create music or visual art.
• Women participate in the arts at higher rates than men beyond all categories, except a few. For example, men are more than twice as likely as women to utilise electronic media to create or perform music, and they are also more likely to create visual art online.
• More half (54 percent) of all American adults attended at least one live music, theater, or dance performance in the past year, or they went to view an art showroom. That'southward about 120 million people.
• For more than key findings, become to Arts Data Profile #5.
• four.seven million workers were employed in the production of arts and cultural goods, receiving $334.ix billion in bounty.
• Arts and cultural spending has a ripple outcome on the overall economy, boosting both commodities and jobs. For example, for every 100 jobs created from new demand for the arts, 62 additional jobs are also created.
• The Agency of Economical Analysis highlights the Arts and Cultural Production Satellite Account in the Jan edition of the Survey of Current Business, widely read by economists and financial analysts to understand the state of the U.Due south. economy.
• For more than key findings, go to Arts Data Profile #six.
Source: https://www.norc.org/NewsEventsPublications/PressReleases/Pages/surprising-findings-in-three-new-nea-reports-on-the-arts.aspx
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